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Top SFX shots No.5: The Spy Who Loved Me
Martin Anderson
Published on Dec 29, 2008
Possibly the first successful example of match-moving in motion pictures, Derek Meddings' audacious attempt to co-ordinate the aquatic lair of Bond's latest adversary into hand-held footage was a real eye-opener at the time, and another extraordinary achievement for a franchise which has frequently pushed the boundaries of optical effects.
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